serial mankan part 9 | سریال مانکن قسمت 9
serial mankan part 9 | سریال مانکن قسمت 9
mankan episode 9 film has taken on a different procedural structure and form in Iranian cinema. The director, who had earlier shown in the film “Simple Reception” that he can make a lot of use of symbolism in the story, went a step further in the film “The Dragon Doesn’t Enter” and released a work that It is quite experimental which is less observed today.
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danlode mankan 9 At the beginning of the story, we are confronted with a documentary narrative that, with the presence of not-so-controversial political figures of the day, aims to provide a justified and documented look at the events of the story, a recent interview with Sadegh Zibaklam and regret for lying in the film. (!) It is completely rejected and unbelievable for a moment. But the problem of “Dragons Arrives” is not just a quasi-documentary version that is repeated in the film, the film’s problem is the filmmaker’s overall look at the subject of his story, which is a very personal look beyond the current standard of cinema.
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Trailer serial mankan part 9
serial mankan part 9 However, the personal signature of the filmmaker is also in the works. In both works, we are side-by-side with a character-driven drama and the ongoing relationships between the characters form the essence of the drama.
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mankan 9 It seems that Mani Haghighi in this film has somehow sought to bring the story space to the eyes of prominent individuals such as Bahram Sadeghi or contemporary Iranian celebrities, but has failed to fully grasp what these people have to offer because they can never In the symbolism section, it reaches full maturity. Symbolism in a work comes when the filmmaker has a specific narrative story and is interested in applying some of the metaphorical concepts to the artistic manifestations of the work, but the problem is that the film True Manifesto naturally has no definite script for the narrative.
serial mankan S01E9 | مانکن قسمت ۹
From the beginning, the “dragon enters” involves objects and situations in the story, each of which is supposed to symbolize an event. Shipwrecked land where there is an earthquake with dead burying and even dragons referring to and symbolizing people, all of which are symbolic notions that their presence depends on the presence of a paid script It could have formed a fascinating surreal effect on Iranian cinema, but not at all.
mankan episode 9 There have been many famous directors in the history of cinema who have done surreal works, including Louis Bonuel, who can also be called the most surrealist director in the history of cinema.
serial mankan part 9 The real Mani enters into the dragon’s jigsaw puzzle pieces that have nothing to do with each other, and the final image depicted in the puzzle is ugly and incomprehensible.
mankan part 9 But Mani Haqiqi, who has certainly seen the work of these famous directors, may not have realized that the filmmaker needed mastery of the story in order to use surreal concepts in the story, and in the same narrative that the filmmaker can call what is called pure image art. Into the story.
serial mankan part 9 However, the personal signature of the filmmaker is also in the works. In both works, we are side-by-side with a character-driven drama and the ongoing relationships between the characters form the essence of the drama.
mankan 9 It seems that Mani Haghighi in this film has somehow sought to bring the story space to the eyes of prominent individuals such as Bahram Sadeghi or contemporary Iranian celebrities, but has failed to fully grasp what these people have to offer because they can never In the symbolism section, it reaches full maturity. Symbolism in a work comes when the filmmaker has a specific narrative story and is interested in applying some of the metaphorical concepts to the artistic manifestations of the work, but the problem is that the film True Manifesto naturally has no definite script for the narrative.
serial mankan S01E9 | مانکن قسمت ۹
From the beginning, the “dragon enters” involves objects and situations in the story, each of which is supposed to symbolize an event. Shipwrecked land where there is an earthquake with dead burying and even dragons referring to and symbolizing people, all of which are symbolic notions that their presence depends on the presence of a paid script It could have formed a fascinating surreal effect on Iranian cinema, but not at all.
mankan episode 9 There have been many famous directors in the history of cinema who have done surreal works, including Louis Bonuel, who can also be called the most surrealist director in the history of cinema.
serial mankan part 9 The real Mani enters into the dragon’s jigsaw puzzle pieces that have nothing to do with each other, and the final image depicted in the puzzle is ugly and incomprehensible.
mankan part 9 But Mani Haqiqi, who has certainly seen the work of these famous directors, may not have realized that the filmmaker needed mastery of the story in order to use surreal concepts in the story, and in the same narrative that the filmmaker can call what is called pure image art. Into the story.
mankan part ۹ | مانکن قسمت نهم
The biggest victim of Mani Haqi’s personal and not-so-cinematic perspective in the film “The Dragons Arrives” is the wonderful filming of Homman Bahman and the beautiful music of Christophe Rezaie.
mankan 9 It may be said that the most valuable work in ‘Dragons Comes’ was done by Homman Bahman and Christoph Rezai who did not want to turn off their art like a form of real manic empiricism and see new horizons with no end in front of them.
