Zhene Khook Film Farsi | فیلم ایرانی ژن خوک
Movie Zhene Khook
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“Zhene Khook” is Sa’id Soheyli’s 14th film as director. The filmmaker began his first work in the cinema with the film “Sand Storm” by Javad Shukhdari. In that film, he was featured as a writer, but in the same year, he directed the film “A Man Like the Rain”, a film that won admirers of critics and audiences, and also Abolfazl Pourar Ab, also received the Best Actor for the film. He went on to open the “Crystal Man”, “Sohrab”, “Stone, Paper, Scissors,” and so on. These works were all worthless and sacred defense, but with the time and pressure the box office entrusted to filmmakers, Soheil also turned to comedy films. He succeeded with “Charging” well in the box office, but somehow he questioned his work.
The new Soheil Route continued with films such as “Extra Time Marriage”, “Patrol Guidance and Second”. In the meantime, only Kalashnikov was a different film from the filmmaker, but recently he has discovered the work of the “Pig Gene”. This is a social and critical work that has taken into account what is happening in today’s society and has not been overlooked by the cinematic attractiveness. Of course, Saeed Soheili has shown in his social work and sacred defense that he knows the cinema well, especially In the video and cinematic debate. The next point is about acting. The actors present in the films of this filmmaker often do their best. This is important for the ability of the filmmaker to play them. Abolfazl Purofar is a clear indication of this claim.
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But let’s go to the “Zhene khook”. As the name suggests, the pig gene focuses on Aghazadeh’s theme. A movie from one of the Aghazadehs was broadcast a few days ago, in which he was insulted by the middle and poor middle class. This was done so that Soheil criticized this in the form of a dramatic story. The story is about two prisoners who have escaped from prison to do something they have escaped, but why this escape eventually connects to Aghazadeh is willing to sacrifice everything for his will.
The “pig gene” has a different look at Aghazadeh / Chavoshi, the sponsor of the “pig gene” The interesting point in the pig gene movie is the look of Soheili, because his critique does not have a bluish shape. For example, when we hear Aghazadeh’s video message in cyberspace, she talks about why she works. Otherwise, the negative role of the film, when he talks about why he sacrifices his brother, is also due, of course, he ultimately does not end his goal, but as much as looking at the character, black or white, I think it’s a good thing in the cinema Is.
The next discussion of the film relates to class distance. In our film, we see two levels of life. First of all, Aghazadeh’s life that looks at people from above. The second is a class that, in some cases, is at odds with the poor in their lives. There is one point here. In Soheilly’s film, poverty is not depicted in a saint way, because in many Iranian films, poverty is generally considered to be equivalent to holiness. This approach also existed in the 1950s and 1950s, because the ruling class tried to humiliate the poor so as not to jeopardize their interests. Apart from the positive points that we mentioned for the film, I have to mention a negative point. In the plans of the film, there are also words that are hard to hear for children and young people, but the director may say that there is a dialect in the community, but this is not a reason for an individual in the word.
Along with the semantic topics, we have to pay a little bit of technical attention to the film. In the good genealogy, Hadi Hejazifar played a role alongside Sina Mehrdad. Hejazifar’s play is not as good as his indexes, but good. Sina Mehrdad (son of Saeed Soheyli), who became famous with the “Father” series, has fairly fulfilled his role. There are two other games to play about this movie, which should be renamed Nicky. Behrang Alavi and then Jamshid Hashempour have played in the Hashempour genes gene in just one sequence, but the same scene is terribly out of work.
“Pig gene” has a different look at Aghazadeh. Chavoshi, a supporter of the “pig gene”, should pass a pass to Zeil, but this film is not an improvement compared to Kalashnikov’s recent creation, but in the current situation A cinema filled with work is a reflection of such a movie. In this film, Saeed Soheyli, like all his other great work, chooses the best places for filming, especially his camera motion is not in any way annoying. For example, in scene scenes, the director still does not hold the camera on, because it cares about the beauty of his film, but in some social work, he comes on the footsteps of the camera.
Another discussion is related to the script. Saeed Soheyli is in all his works as a writer, since he has started writing in cinema. This filmmaker has a strong attachment to Massoud Kimayee in his discussion of dialogue, so his specialty reminds us of chemistry, but there is an important point in the pig genetic scenario. The shots that the director gives. The first shock is where the character changes, and somehow all the equations change. In the final film, the story does not happen as it is common in Iranian films. This is also a matter of other work privileges.
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